The Russian filmmaker talks to us about the mastery and folly of humankind’s relationship with rock, the “emotional depression of boring architecture”, and his take on Megalopolis.

Nicole Kidman and Harris Dickinson strike up a risky, BDSM-charged office affair in Halina Reijn’s playful drama, Babygirl. Here the director talks about toying with audience expectations of an ...

It contains one of cinema’s fleshiest kisses, but also a moment of pure spiritual transcendence. And it’s the interdependence of these elements that makes Carl Dreyer’s 1955 classic Ordet – which is ...