Throughout the Sharjah Biennial, works are described using overwrought, often politicized language, and the grandiloquent framing can, cumulatively, have a flattening effect.
‘I Am Still Alive’: The Gaza genocide told in ink and paper by Palestinian artist Maisara Baroud
Amid the destruction of Gaza, artist Maisara Baroud turned to paper and ink to document the genocide, capturing the pain, ...
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